"T3" SPY DUO BRINGS NEW SET REPORTS!
Papa Razzi back with huge new T3 report!
Reported By:
René de Jong
Tuesday, September 17, 2002
Hi TheArnoldFans,
On Thursday morning (September 5th), I was at the Downey set again,
filming and photographing a shoot of vehicles moving up and down "the
street" as the camera truck rolled towing a Harley Davidson motorcycle and
Arnold's stand-in, Monty. After several passes, cranes unloaded some
wreckage in front of the computer building and flames and smoke emanated
from the twisted metal. Cameras rolled again filming two police vehicles
responding to the incident.
Friday morning (September 6th) saw the computer building continuing to take shape, being
prepared for the shoot on Sunday. Friday night we shot filming on the Sixth
Street Bridge where the camera crew shot emergency vehicles, police cars, a
veterinary truck without a driver's door and Arnold's double, Monty, aboard
a police motorcycle. The shoot then moved to Figueroa (SP?) where
police and emergency vehicles raced in one direction as the veterinary truck
with no door flew by in the opposite direction. Shooting began around 10 in
the evening and wrapped around 1:00 a.m.

On Saturday (September 7th), there was a shoot at Los Angeles Center Studios where a fight
scene with Arnold and the Terminatrix was rumored to take place. Our
efforts to get a shot of any of the main actors was unsuccessful and as luck
would have it, Arnold drove right by us in of all things a big black G-Class
Mercedes Cross Country SUV. Clad in a black t-shirt, cigar clenched in that
mighty jaw, that unmistakable profile graced the driver's side window as he
sped by. The myth that his vehicle of choice is a Hummer went quickly out
the window that afternoon. So did my chance for a shot that I had been
waiting for.
Sunday morning (September 8th) found us back at Downey where we began to record the events
of the morning. Word was that drive a mockup through some of the windows in
the computer building and then a crane, driven by an Arnold stunt double
would rip the entire facade off the computer building. We took various
shots of the crew preparing the set but much to our amazement, glass began
breaking before we were set up to shoot. Crew members were too close to the
vicinity of the stunt in our opinion to anticipate that they were going to
do the stunt. Our hunch was correct because a crew member got hurt in the
process. There was a wooden mockup of part of the crane with a mannequin
onboard. It was supposed to crash through the window. Either it did
prematurely or they did not anticipate the path of the mockup's travel. In
any case a crew member on a twelve foot ladder was knocked to the ground
into lots of broken glass and received several lacerations. He had to be
transported off set to a local hospital by a Downey rescue unit. That
aspect was a bit surreal in that we have been so use to seeing rescue
vehicles as part of the shooting, it was the first time seeing one
responding to the real deal.
After the rescue vehicle left, the crew began leaving the set. We
speculated whether shooting might be over for the day and delayed until
Monday. Shooting was also supposed to be taking place on Rodeo Drive, so I
went to cover that activity. The crews returned to take down the camera
equipment which gave us the impression they were done for the day. Two hours
later, the crews returned and proceeded to rip the facade off the computer
building and so ended the filming outside at the Downey set.
At Rodeo Drive, it was incredible to see a couple towering cranes with bank
after bank of 100,000 watt flood lamps splashing white light onto the
prestigious fronts of some of the most expensive commercial real estate on
earth. A couple of blocks were set up for their final outdoor shoot. I
filmed several shots of them running a Mustang convertible up and down Rodeo
with at least three maybe four actors aboard. There were other shots taking
place, however, the rumor regarding the Terminatrix being filmed in the nude
as she makes her emergence into present day is questionable. I was told by
other crew members that the shot was actually taking place at the indoor
Downey set, not Rodeo. Considering the amount of public onlookers, it is
questionable that they would have done such a shot there.
They wrapped up around midnight and I headed to Downey to confirm whether my
intelligence was accurate about them demolishing the computer building
facade. In the dim light of the late night sky, I saw for myself that the
glass front was totally destroyed. You can imagine our disappointment. I
went back and shot the remnants being cleaned up. So that is all for now.
Papa Razzi
----------
René de Jong
|
|