DOWNEY TURNS TO FUTURE WAR SET?
Old Downey T3 set turns to rubble!
Reported By:
René de Jong
Tuesday, September 17, 2002
Papa Razzi and The Charminatrix return for more cyborg juice on T3!
Papa Razzi:
The Charminatrix and I visited the Downey set on Sunday. Charminatrix,
with her keen eye for detail shot still photographs while I roamed about
shooting digital video. The black and green vinyl mesh that once covered the
chain link fences is all but gone. The set is in plain sight, or at least
what is left of it. It could be another scene from the future world where
ruins of former buildings litter the landscape amidst rubble and human
bones. The exception is there are no bones in sight, nor killer cyborgs
working in tandem with aerial units prowling the set.
The crew have gathered up all the reusable items; bus shelters, litter
baskets, U S Post Office mailboxes, and an array of other miscellany. Some
doors and other building elements have been stacked. A platoon of used five
gallon buckets of paint stand at attention, stacked single file. At another
end of the set, it looks like a small nursery with a variety of shrubs and
small trees bunched together. All of this will be recycled somewhere else.
The rest lays in wait to be demolished, returning the former Boeing
manufacturing site to a ghost town of peeling paint and rusting metal until
it is revived by the next movie company.
It is sad, indeed, to bear witness to impending destruction of this street.
It is like watching the slow death of a friend. Fortunately, the street will
eventually spring to eternal life on film. We have borne witness to it's
birth and evolution over the weeks. We grew to know every square inch of it,
discovering new angles to take our photographs with each day that passed. We
took simple pleasure in watching the various changes that took place; some
dramatic and others very subtle. It was a challenge to second guess what was
going to take place and where. The set became a friend to us and we will
mourn it's reclamation.
We will also miss the different crew people we came in contact with over the
last couple months. They were all in all really great folks. We fully
understood that they had jobs to do and for our part, we wanted to make
certain that things were as agreeable as possible. We were not there to
become an obstacle and we hoped we conveyed an element of cooperation. Who
knows, perhaps the time will come in the not too distant future we can buy
them a beer and trade stories. Until then, we have the excruciating wait
until the debut of Terminator 3: Rise of the Machines. Then we can
marvel at all that movie magic assembling the bits and pieces that we have
seen into a cohesive visual thriller.
Papa Razzi
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René de Jong
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